* Bronze vessels - many vessels were discovered at various excavation sites in China. Among the tools are ritual tools, food tools, weapons, chariots and horses. The most common motifs are: dragons, winged animals, and other animals, as well as geometric models. Many of the tools were intended for use for worship of the ancient ancestors who were given the status of gods in ancient China, in addition to religious ceremonies.
* Ceramic vessels - The ceramic vessels represent different styles in the history of ceramics and porcelain in China. The knowledge about the production of the bright white Chinese porcelain which was developed to a very high level, was kept a secret and passed down in families from generation to generation.
Tools and statues of gods intended for religious-domestic use was made from this porcelain. "Blue-white" porcelain vessels, from the 17th - 19th centuries AD, are vessels on which the white porcelain was painted with cobalt blue color, which was painted on the vessels before the transparent glaze coating. The color was imported from Persia, and it was mixed with the local cobalt. In these tools you can see decorations under the influence of Persian models (of carpets and tools). Celadon glazed vessels, made of gray and white flint, and their green color is obtained from iron oxides in the glaze or the material itself.
There were tools intended for ritual work in temples, but also for the private home (the rich, in most cases). The Celadon vessels were considered to be expensive vessels mainly, because their color reminded the jade which was considered to be very valuable. Porcelain vessels with varied colored decorations: landscape pictures, scenes from everyday life in China, some of the decorations were painted before glazing and some with enamel colors on the transparent glaze. In many cases when exporting utensils, the Chinese used to draw subjects from the western culture itself to encourage the western market.
*Stone and Bronze statues from various regions of China that express the influence of Buddhism. The bronze tools were used mainly in religious rituals and later on they were developed for use in cooking. Some of these tools were large in size some were round and some square. All were made by casting (using different techniques) with decorations in relief on them, and the motifs were numerous and diverse.
*Ornamental Objects made with diverse materials and from different periods:
Tools made from lacquer and decorated with different carved patterns, cups made from a rhino horn with scenic pictures deeply engraved on them, and small statuettes from jade, tools in cloisonne technique (Bronze tools with decorations filled with enamel on them, Ivory items upon which various patterns have been carved.)
* Hanging Scrolls: Some are painted ink and color on paper and others on silk, the majority of these scrolls were dated to the 18th – 19th centuries. Some scrolls were in monochrome while others were more colorful. The motifs were many and diverse, including landscape scenes, vegetation, flowers, scenes from everyday life (mostly from the lives of the nobles), who were revered during their period, as well as paintings from album pages.
*Bronze Mirrors. Small mirrors on bases or others, which could be placed by a cord connected to the mirrors through holes in the mirror's middle knob, or alternatively, by hanging them from the belt. The first mirrors cast in China were not designated to reflect the human face, but rather the person's heart and soul, and were produced already in the second millennium B.C.E. Although most of the mirrors are round, some square ones can also be found. On the mirrors' reverse side there was a relief decoration while the front side is well polished to create a reflection. This property imparted them with magic powers to combat evil spirits. The decorations with the different patterns are intended to represent the universe, a circle symbolizes the heavens, while a square represents the earth, and the small domes depict the stars.
*Burial Artefacts- "Spiritual objects" – "Mingchi", these include pottery figures of women and men, some of these objects are glazed while others are unglazed or only partially glazed. The custom of burying figurines was introduced to replace the previous practice of human sacrifice. Burial figurines in the form of strangers who were not Chinese formed a popular motif and they were distinguished by their facial features and attire, which differed from the local population. Among the burial figurines there were images of the Kings of Heaven, civil officials, tomb guards, horse riders, servants carrying items for everyday use, as well as dancers and musicians. Moreover, among the artefacts specimens of everyday articles used by the deceased could be found.
*Paintings– The paintings in the Far East and especially in China were considered (similarly to poetry and calligraphy) as the ultimate expression of the cultural life, and not just a profession. The painters belonged to society's upper strata and intellectuals, most of whom were generals, emperors, senior government officials, scholars and writers. "Heavens, earth and man" were the main elements in the Chinese spiritual world. In many paintings, apart from the actual painting, writing (in the format of poetry or words of meditation) was also featured thus forming a kind of decoration. These words highlighted the connection with the painter and his traditional interpretation. The Chinese painter used Chinese ink and water colors on paper or silk. The painting appeared on parchment (scrolls) vertically or horizontally, as well as on smaller pages which can be joined together to form an album. Landscapes and nature served as the principal subjects in this art.